Tadare — Summary and Characters
A kept woman after the wife's place
- Author
- Tokuda Shūsei
- Published
- March 1913
- First appeared in
- Kokumin Shimbun
- Form
- Novel
- Genres
- Psychological
- Romance
- Setting
- Tokyo
- Length
- 74,715 characters
- Reading time
- About 2 hr 29 min
- Orthography
- Modern script and kana
About this work
A long novel Tokuda Shūsei serialized in the Kokumin Shimbun in 1913. Shūsei, a central figure of naturalism, draws the way one woman, Omasu, lives, in a matter-of-fact hand with sentiment refused. Omasu, who once worked in the water trade, becomes the kept woman of Asai, a man with a wife and children, and in time threatens even the wife's position. The daily life of a man and a woman in which jealousy and tedium, calculation and desire twine together, copied down evenly without either prettifying or condemning: one of the central works of Shūsei's maturity.
Summary
Omasu, who has washed her hands of the water trade, is secretly kept by Asai, a man with a wife and children, and moves from Shitaya to Kōjimachi. Asai's wife suffers from asthma, and Omasu, without quite saying it outright, keeps pressing Asai to divorce her and make Omasu his proper wife instead. By day she lingers at the house of old Ochiyo next door, absorbed in games of hanafuda; by night, alone in bed, she calls to mind her old working days and the faces of the men she once knew — carrying an unsatisfied longing and irritation, and the wounds of a woman's life, Omasu lives her days on toughly, and half in despair. Jealousy toward the proper wife, the maneuvering to hold Asai's heart, rivalry with the women around her. At the end of this accumulation of infatuation and tedium, Omasu at last settles into the position of Asai's wife. One night, now married, the two of them sit facing each other in the sitting room, and Omasu, her face bright and clear, talks over what is to come. A central work of naturalism in which Shūsei copies down the shifting desire and feeling of one woman, without either prettifying her or passing judgment on her.
Characters
- Omasu A woman who has washed her hands of the water trade and become the kept woman of Asai, a man with a wife and children. Longs for the position of proper wife, living amid jealousy and tedium
- Asai The man who keeps Omasu, with a wife and children of his own. Carries on his affair with Omasu despite having an asthmatic wife
- Old Ochiyo An old woman next door whose house Omasu frequents. Omasu's confidante and hanafuda companion
Chapter-by-chapter synopsis
The app covers this work chapter by chapter (full text in the app).
- 1. About This Work
- 2. Main Characters
- 3. Main Supporting Characters
- 4. Days as a Kept Woman — From Shitaya to Kōjimachi
- 5. The Wife's Incursion — Driven to Akasaka
- 6. Ousting Oryū — “Now It's Your Turn”
- 7. The Wife's Seat — Shizuko, and a Body That Will Not Heal
- 8. Oryū's Death, and a Young Man Named Muro
- 9. The Shadow of Oima — A Ring, and Being Cast Out
- 10. A Double Betrayal
- 11. Conclusion — The “Toast” on the Wedding Night
- 12. Key Settings and Foreshadowing
The opening (original text)
It was in the autumn of that year that Omasu moved from the Shitaya house, where she had first been kept, over toward Kōjimachi. At the Shitaya house, the first place she had settled since becoming a free woman, Omasu had spent three months, from the end of spring through the hot summer.
Tadare by Tokuda Shūsei (Aozora Bunko)
The ending (original text)
It was quite late by the time he got back. The married couple, in the sitting room with Shizuko and the others already fast asleep, sat facing each other, still in their day clothes, drinking tea, on and on. "Wouldn't it be nice to ask that person along and have a toast together, just the three of us, sometime?" Omasu, her face bright and clear, got up and went to the inner room to change.
Tadare by Tokuda Shūsei (Aozora Bunko)
Read the original
The original Japanese text is available at Aozora Bunko, and the app downloads the same text for its vertical-text reader.
More by this author
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- The Wild Geese September 1911
- The Gate March 1910
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- And Then June 1909
- Onna keizu January 1907